A sad story came to a tragic end on Wednesday when Natasha Richardson, a luminous actress who came from a distinguished family of actors, died after what at first seemed to be a minor tumble on a Montreal ski slope two days earlier.
Richardson -- granddaughter of Sir Michael Redgrave, daughter of Vanessa Redgrave and director Tony Richardson, niece of Lynn Redgrave and Corin Redgrave, sister of Nip/Tuck's Joely Richardson, wife of Liam Neeson and mother of two boys -- was 45, a woman with so much life and work ahead of her. Her sudden passing is shattering for her family, a loss for anyone who had the pleasure of watching her work.
Richardson was rumored to be planning a return to Broadway in a revival of A Little Night Music next season. She and her famous mother had done a benefit performance of the Stephen Sondheim musical in January, and that got the buzz going.
I was fortunate enough to see three of the four New York shows in which Richardson starred: 1993's revival of Eugene O'Neill's Anna Christie, the show that brought Neeson into her life; 1998's revival of Cabaret, which brought her a Tony Award for her portrayal of a beautiful, plucky, ruined Sally Bowles; and Patrick Marber's Closer in 1999. She made movies too, of course, everything from the fluff of The Parent Trap and Maid in Manhattan to the intensity of Suddenly, Last Summer and Asylum.
But above all (at least in her working life), Richardson was third-generation theater royalty. Watching her on a stage was illuminating, absorbing, special. And forever memorable.