Drama Queen

City Theatre picks its Summer Shorts company

Blink and it will be summer, so it's no surprise that City Theatre has put most of the pieces of its 18th annual Summer Shorts festival together.  Artistic director John Manzelli has just revealed the six performers who will make up the must-be-versatile acting company, and it's a good one.  Back again are Irene Adjan and Todd Allen Durkin, two standouts from last year's troupe.  They're joined by Ken Clement, Renata Eastlick, Rayner G. Garranchan and Vera Varlamov.  Long-time festival fans will note that Stephen Trovillion, aka "Mr. Summer Shorts," isn't in the company this year, though he has appeared in nearly every festival so far.

"I think change is a good thing sometimes," Manzelli says.  "I'm sure Steve will be back.  I've wanted to work with Ken for a long time, and I'm excited to bring Irene and Todd back."

Manzelli will be sharing most of the directing duties for the festival, which will run June 6-30 in the Carnival Studio Theater at Miami's Adrienne Arsht Center for the Performing Arts, with Margaret M. Ledford.  Mcley LaFrance will direct one of the short plays, and another guest director will stage one play.

The lineup of plays and playwrights is coming soon.  But Manzelli says that the Arsht program, while presented as a single production, will have an intermission separating six plays dubbed Program A, six in Program B.  The annual CityWrights playwrights' weekend will return too, with the program to be announced shortly.

The Miami lineup won't travel to Broward. Instead, City Theatre will coproduce a four-week short-play program with Island City Stage in August.  That program will focus heavily on work by South Florida playwrights, Manzelli says.

Also on the horizon is a January-February Florida tour for Dr. Wonderful, the company's musical for family audiences.  And Manzelli is working toward a regional/national tour of Summer Shorts next season.

For more information, call the Arsht Center box office at 305-949-6722, visit the Arsht web site or visit City Theatre's web site.

(Photo of Irene Adjan and Todd Allen Durkin by Rodrigo Gaya of World Red Eye.)

 

A UM play inspired by Aristophanes debuts at sunset

The University of Miami's ongoing celebration of the humanities and arts continues on Friday with a day-into-evening event titled A Walk in the CLOUDS: Celebrating the Classics at UM.  All events (except for parking) are free, and the day includes a classics symposium with multiple speakers, a keynote address about Aristophanes' play The Clouds, Edith Freni's world premiere play A Work of Pure Fiction and a post-performance reception at the Lowe Art Museum.

The day begins with a 10 a.m.to 12:30 p.m. session featuring speakers from the department of classics and department of theater arts. The lineup:  Stephen Di Benedetto on "Playing Aristophanes,"  Scott Farrington on "The Tragicomic Dionysus," Jennifer Ferriss-Hill on "Tragedy in Comedy:  The Comic Afterlife of Mysian Telephus," Wilson Shearin on "Loquacity and Sickening Nonsense: Plutarch's Reception of Aristophanes," Han Tran on "Cannibals Can't Sing: A Cyclops Struggles in the Land of Bacchus," and T. George Hendren on "Blood and Wine: The Sinister Side of Bacchic Revelry."  The symposium takes place in the College of Arts and Sciences Gallery at the Wesley Foundation building, 1210 Stanford Dr., Coral Gables.

Keynote speaker Kenneth J. Reckford, the Keenan Professor of Classics Emeritus at the University of North Carolina at Chapel Hill, delivers his address from 12:30 to 2:30 p.m., also in the Arts and Sciences Gallery.  The title:  "[Why] Did Aristophanes' Clouds Fail?."

A Work of Pure Fiction, a piece inspired by Aristophanes' Clouds, will debut at 5 p.m. on the lawn next to the Lowe Art Museum, 1301 Stanford Dr.  The performance by UM theater students is deliberately timed to take advantage of the setting sun.

A reception in the Lowe's Tobin Gallery, highlighted by a viewing of the museum's Greek calyx-krater (a painted ancient vessel used to mix water and wine), ends the celebration.

For more information about A Walk in the CLOUDS, call 305-284-5500.  For parking information, visit the university's web site.

(Photo of Danny Mendendez and Mary Hadsell in A Work of Pure Fiction by Laura Sofia Sarmiento)

 

 

'The Whole Caboodle'....and even more

This weekend is one of those when a theater lover could be driving from Miami to West Palm Beach to catch the four (yes, four) new productions that are opening -- and that's not counting the forever-popular Wicked, which has returned to the Broward Center for the Performing Arts for a run through Feb. 17.

Triple Carbonell Award nominee Michael McKeever, the very successful South Florida playwright whose 1998 play 37 Postcards is going to be produced (in Russian) at the Boshoi Drama Theatre in St. Petersburg starting in June, has proven he can write it all:  comedies, dramas, full-length plays and short ones.  The Whole Caboodle, a collection of seven short McKeever plays, opens at 7:30 p.m. Friday at the Studio Theatre in the Mizner Park Cultural Arts Center, 201 Plaza Real, Boca Raton.

Parade Productions is presenting the show, which features several plays McKeever originally wrote for Naked Stage's 24-Hour Theatre Project and City Theatre's Summer Shorts Festival.  On the bill are American Gothic, Craven Tutweiler (The Real Life Story Of), Laura Keene Goes On, Knowing Best, Splat!, Love Machine,Rusted and Move On, or Sondheim at Studio 54.

In the versatile cast are Elena Maria Garcia, Clay Cartland, Jacqueline Laggy, Casey Dressler, Candace Caplin and the multitasking McKeever. Kim St. Leon is directing. Performances are 7:30 p.m. Thursday-Saturday, 3 p.m. Sunday, through Feb. 24.  Tickets are $35 and $40.  Call 1-866-811-4111 or visit the Parade Productions web site.

Also in Boca Raton, but way out west, Slow Burn Theatre is mounting yet another lavish musical, this one the rarely produced Side Show.  Kaela Antolino plays Daisy Hilton, and Courtney Poston is Violet Hilton, real-life conjoined twins who became famous in the 1930s and appeard in the Tod Browning movie classic Freaks.

Also in the large cast are Carbonell nominee Matthew Korinko, Rick Pena, Jerel Brown, Conor Walton, Karen Chandler, Krissi Johnson, Lisa Kerstin Braun, Sabrina Gore, Alisha Todd, Justin Schneyer, John Corby, Dan Carter, Michael Mena and Bruno Faria. Patrick Fitzwater is directing and choreographing the show.

The musical, by Bill Russell and Henry Krieger, runs through Feb. 10 at the West Boca Performing Arts Theatre, 12811 W. Glades Rd., Boca Raton.  Performances are 8 p.m. Friday-Saturday, 2 p.m. Sunday.  Tickets are $35 ($30 for seniors, $20 for students).  Call 1-866-811-4111 or visit the Slow Burn web site.

Palm Beach Dramaworks takes a fresh look at an American classic with its production of Lorraine Hansberry's A Raisin in the Sun, about a black Chicago family in the 1950s arguing over how to use an insurance payment to change its future.  Carbonell Award nominee Ethan Henry plays Walter Younger, Pat Bowie his mother Lena, in a cast that also includes Joniece Abbott-Pratt, Shirine Babb, Marckenson Charles, Dave Hyland, McLey LaFrance, Jordan Tisdale, Mekiel Benjamin, Joshua Valbrun, Lanardo Davis and Jeffrey Brazzle.  Seret Scott is the director.

Performances are 8 p.m. Wednesday-Saturday, 7 p.m. Sunday, 2 p.m. Wednesday and Saturday-Sunday, through March 3.  Tickets are $55.  Dramaworks performs in the Don & Ann Brown Theatre, 201 Clematis St., West Palm Beach.  Call 561-514-4042 or visit the company's web site.

Miami's New Theatre is also tackling a classic drama beginning this week:  John Pielmeier's Agnes of God.  Christina Groom plays a novice nun accused of murdering her newborn baby.  Pamela Roza plays the psychiatrist trying to get to the heart of the shocking mystery, while Barbara Sloan is the young nun's protective Mother Superior.  Ricky J. Martinez is staging the play.

Performances are 8 p.m. Thursday-Saturday, 1 and 5:30 p.m. Sunday, through Feb. 17 (no late show Feb. 3).  Tickets are $40 ($35 Thursday and Sunday evening; $15 student rush tickets, and the first 25 students under 25 get in free opening weekend).  New Theatre performs at the Roxy Performing Arts Center, 1645 SW 107th Ave., Miami.  Call 305-443-5909 or visit the theater's web site.

Yes, it's a way busy theater weekend with many promising choices.  But get ready: Next weekend is even busier.

 

Harper out, Powers in as star of 'Looped'

Valerie Harper has forged a post-Rhodacareer playing powerful, larger-than-life women onstage -- including, in 2010, Tallulah Bankhead in Looped on Broadway.  Harper was to have reprised that performance, launching a national tour of Matthew Lombardo's play, Feb. 26-March 3 at Fort Lauderdale's Parker Playhouse.

But Harper has had to leave the show for unspecified medical treatment, though she recently revealed in her memoir I, Rhoda that she was treated for lung cancer in 2008.  She and husband Tony Cacciotti have gone home to Los Angeles, and actress Stephanie Powers will be taking over as Bankhead.

Casting former Hart to Hartstar Powers as the hard-drinking, hard-living, often outrageous Bankhead actually makes sense when you realize that Lombardo's play is about the troubles Bankhead had re-recording one particularly notable line from the 1965 movie Die, Die, My Darling: "And so Patricia, as I was telling you, that deluded rector has in literal effect closed the church to me."  Powers, you see, played the aforementioned Patricia, the almost-daughter-in-law of Bankhead's crazed character.

After the Parker, the play will moved to Baltimore's Hippodrome Theatre, Boston's Majestic and Hartford's Bushnell, with other cities still to be added.

For more information, call 953-462-0222 or visit the Parker web site. The Parker is at 707 NE Eighth St., Fort Lauderdale.

Help get a play on...and have some fun

Putting on a play is never easy nor cheap, at least if you're aiming for high-quality professional work presented in a major performing arts center.  Alliance Theatre Lab is in the midst of a campaign to raise $5,000 for its March 7-24 production of Brothers Beckett, the David Michael Sirois comedy about twentysomethings who are finding adult life none too easy.  The award-winning play was a major hit for Alliance when the company did it almost two years ago at the Main Street Playhouse in Miami Lakes, but mounting a full production in the Carnival Studio Theater at Miami's Adrienne Arsht Center for the Performing Arts is way more pricey.

So the company has come up with a couple of fun fundraisers to augment its ongoing Indiegogo campaign, which will soon hit $2,000.  First up is a comic murder mystery-Italian dinner night this Sunday at 8 p.m. at Dellaventura's Pizzeria, 4120 SW 64th Ave., Davie.  (Alliance company member Mark Della Ventura, who's in the Brothers Beckett cast, is a driving force in the fundraising.)  The cost for the interactive murder mystery show, a family-style dinner and two glasses of beer or wine is $50 per person, advance reservations required.  Visit the Alliance site for reservations and info.  

On Monday, Feb. 4, the Beckett boys (and girls) will go bowling at SpareZ Bowling Alley, 5325 S. University Dr., Davie, to raise some more dough.  If that's more up your alley, the event happens from 8 to 10 p.m., with a 7:30 p.m. check-in.  Cost is $20 in advance, $25 at the door.  Again, visit the Alliance site or call 305-259-0418.  Proof that arts fundraising doesn't have to be all earnest and stodgy.

Teatro Avante returns with 'El no'

Teatro Avante closed out the XXVII International Hispanic Theatre festival in July with its production of Cuban playwright Virgilio Piñera's El no.  Adapted by Gilda Santana and directed by Mario Ernesto Sánchez, the play is about the eternal conflict between generations, and it boasts a powerhouse case in Isabel Moreno, Gerardo Riverón, Maribel Barrios and Julio Rodríguez.  The play is performed in Spanish with English supertitles.

Avante is bringing the play back to South Florida Thursday through Sunday for a run at the On Stage Black Box at the Miami-Dade County Auditorium, 2901 W. Flagler St., Miami.  Performances are 8:30 p.m. Thursday-Saturday, 5 p.m. Sunday, with tickets priced at $30, with discounts available for seniors, students and disabled theatergoers.  Call Ticketmaster at 1-800-745-3000 or the box office at 305-547-5414.

Zach Braff sees his play, Miami-style

The talented (and very busy) Zach Braff, part of the soon-to-open movie Oz: The Great and Powerful, took a break from project-juggling in Los Angeles for a quick trip to Miami over the weekend.  He had heard from his dad Harold (who lives in South Florida) and others that the current Zoetic Stage production of his first play, All New People, was really good and rather different from the play's 2011 New York production and the 2012 London production in which Braff played the suicidal yet appealing Charlie.

So he flew to Miami with his girlfriend and saw the Saturday night performance with her, his dad and other family members.  The verdict, according to Zoetic artistic director Stuart Meltzer?  He liked it.

To be there for Braff's hush-hush visit, Meltzer drove back to Miami from Key West, where he's directing a production of Six Dance Lessons in Six Weeks for the Waterfront Playhouse (it previews Jan. 29-30, opens Jan. 31 and runs through Feb. 16).  After the show, the former Scrubs star posed for photos with the cast, offered positive feedback, and then everyone went to the nearby City Hall restaurant for a happy late-night dinner.

All New People winds up its run in the Arsht's Carnival Studio Theater on Sunday.  Performances are 7:30 p.m. Wednesday-Saturday, 4 p.m. Sunday, with tickets priced at $40 and $45.  Meltzer says the shows have been packed, to a large degree with theater lovers 40 and younger.  If you want to see what Braff wrote -- and what he saw -- call the Arsht at 305-949-6722 or visit the web site. The Carnival is in the Ziff Ballet Opera House at 1300 Biscayne Blvd.

Oh, and Meltzer says Braff is warm, humble and very nice. That's not always the case with Hollywood types, but it's refreshing to hear that the director, writer and star of Garden State is one of the good guys.

(Photos of Braff solo and Braff with cast members Todd Allen Durkin, Betsy Graver, Nicholas Richberg and Amy McKenna by Nathan Valentine/World Red Eye.)

Theaters reap Knight Arts Challenge support

Last night, the John S. and James L. Knight Foundation made South Florida artists and arts groups happy to the tune of $2.28 million.  The Knight Arts Challenge will fund 34 projects, bringing the total of arts projects funded since 2008 to 143 -- representing nearly $20 million in support for ideas to enhance the arts in the region the foundation calls home.  Those funds are part of a larger $86 million investment the Knight Foundation has made in South Florida arts, and the foundation just announced that it will invest $23 million more to extend the Knight Arts Challenge through 2015 and support projects at seven institutions.

The 34 newly revealed grants will fund projects in the visual arts, music, dance, arts education -- and seven that focus on or include theater.  The 2012 theater winners, who have to match the Knight Arts Challenge funding, are:

*Actors' Playhouse of Coral Gables, which receives $40,000 to bring 3,000 students from 8th to 12th grade to its production of the Tony Award-winning musical In the Heights; the experience includes study guides, discussions with the director and actors, and a rap-writing contest, with finalists performing at the Miracle Theatre.

*Miami's Centro Cultural Español, which receives $100,000 to produce 15-minute short plays in Spanish and English three times a year in intimately sized shipping containers.

* The Deering Estate Foundation, which will receive $35,000 to help create a playwright development program, retreats and a resident theater company at its historic facility.

*FUNDarte, which gets $100,000 for its Miami on Stage Knight New Works project, selecting three projects to fully produce and tour to two additional locations.

*Miami Theater Center in Miami Shores, which will receive $100,000 to help individuals and small performing arts groups develop work in its discounted 70-seat Sandbox space; those selected get marketing help, a commissioning fee, and rehearsal and performance space.

*The Project [theatre], which gets $25,000 toward developing larger-scale, immersive, site-specific theater experiences in Miami.

*Arts Garage in Delray Beach, which includes the Theatre at Arts Garage, won the Knight Arts Challenge People's Choice Award, receiving $20,000 to enhance its artistically eclectic programming.

For more information on the Knight Arts Challenge program in Miami, visit the foundation's web page.

 

 

 

GableStage gets NEA grant for McCraney 'Hamlet'

GableStage, which will join with the Royal Shakespeare Company (RSC) and New York's Public Theater in premieringTarell Alvin McCraney's set-in-Haiti Antony and Cleopatra next season, has just been awarded a $10,000 National Endowment for the Arts Art Works grant to support its upcoming production of Hamlet.  The 90-minute adaptation by McCraney and Bijan Sheibani, commissioned by the RSC, will run at GableStage Jan. 12-Feb. 10, then be performed free for 15,000 Miami-Dade County Public Schools students at the Joseph Caleb Auditorium in Liberty City and the South Miami-Dade Cultural Arts Center in Cutler Bay.

The NEA received 1,509 eligible applications for the Art Works grants from not-for-profit groups seeking more than $74 million in support.  GableStage's is one of 832 approved grants totalling $22.3 million.

McCraney will direct his adaptation, and he has now settled on his cast.  Edgar Sanchez will play Hamlet, with Dylan Kammerer as Horatio, James Randolph as Claudius and the Ghost, Alana Arenas as Gertrude, Peter Haig as Polonius, Ryan George as Laertes and Rosencrantz, Mimi Davila as Ophelia and Arielle Hoffman as Guildenstern and a player.

Performances will be at 8 p.m. Thursday-Saturday, 2 and 7 p.m. Sunday (no evening show the first weekend).  Tickets range from $37.50-$50.  GableStage performs in the Biltmore Hotel, 1200 Anastasia Ave., Coral Gables.  For information, call 305-445-1119 or visit the theater's web site.

24-Hour Theatre delivers magic at warp speed

The one-night-only performance of the eight little plays created for Naked Stage's 24-Hour Theatre Project 2012 has come and gone.  Hopefully, the sleep-deprived playwrights are starting to feel human again today, thanks to much-needed zzzzs and the satisfaction of a job well done.  As for artistic director Katherine Amadeo and her multitasking hubby Antonio Amadeo (the author, director, designer and star of the current A Man Puts on a Play at Barry University's Pelican Theatre), after being up for 48 hours straight, they deserve a week at a spa. But the fact that they are parents to school-age daughter Lara and baby son Max makes that an unlikely fantasy.

Naked Stage's annual fundraising event has become a much-anticipated opportunity for South Florida's theater community to show just how impressive its work can be under the tightest of time constraints.  After the playwrights did their thing over the hours when Sunday evening morphed into Monday morning, actors, directors, stage managers and interns arrived at the Biltmore Hotel at the raw hour of 7 a.m. Monday to learn their newly created lines, get the plays up on their feet, and rehearse, rehearse, rehearse before the single 8 p.m. public performance at GableStage, the place where 24-Hour Theatre began six years ago.  The free hosting of the event was, once again, thanks to GableStage artistic director Joseph Adler; as Antonio Amadeo noted from the stage, Adler supports the theater community again and again by turning over his space for readings, performances and events like 24-Hour Theatre.

This year, the audience of theater folk and theater fans got a lot of bang for their ticket price bucks.  As always, there were hits, misses and messes, but overall, South Florida theater did itself proud.

For me, the loveliest and fullest play of the evening was Stuart Meltzer's Pieces of Lisa.  Staged by Amy London and driven by Nicholas Richberg's quietly magnetic performance as a grieving son, the play explored the different mourning styles of three disparate brothers and their stoic father.  Meltzer's writing was funny, clever and touching, and Pieces of Lisa is clearly a short play worthy of a future life.

Christopher Demos-Brown went for smart, funny dialogue mixed with a snippet of meta theater in The Peanut Butter Conspiracy, a comedy about four parents at a tony private school who have been called on the carpet for the sin of sending a kid to school with a banned peanut butter sandwich. Funniest moment: When Tracey Barrow-Schoenblatt as a sexy mom and Oscar Cheda as a gay dad looked at an exquisitely attired, ridiculously in shape Jim Ballard and voiced the same simultaneous thought: "He's hot."  With some tweaks, Peanut Butter could stick around too.

Also on the plus side: Juan C. Sanchez's Splintered, a play about a man (Clive Cholerton) certain that his departed wife (Barbara Sloan) isn't really gone; Michael McKeever's Goldfish Don't Bounce, a neat comedy about a newly-in-love young couple (Arielle Hoffman and Adam Simpson) and an unhappily married pair (Lela Elam and Wayne LeGette) "celebrating" their 14th anniversary; and Andie Arthur's Mermaids in the Attic, a haunting piece (featuring Troy Davidson, Julie Kleiner and Hunter McConnell) about the loss of two generations of women in a family.

Tony Finstrom's Myth America aspired to be a raucous Southern Gothic comedy about a family's secrets spilled onstage.  Christopher DePaola's dark Pontius Co-Pilot featured Anne Chamberlain as a deceptively wholesome-looking drug dealer.  Marjorie O'Neill-Butler's Satan's Cheerleaders was an idea that proved hellish, in the end.

A large cross-section of South Florida's far-flung theater artists gather and mix three times a year:  At the annual Carbonell Awards, which honor some of the best work done during the previous year; at the Theatre League's annual holiday party, where the Silver Palm Awards are bestowed; and at the 24-Hour Theatre Project.  Naked Stage's event isn't about competition.  It's about creativity and community-building.  And on that score, 24-Hour Theatre delivered as it always does -- impressively.

(Photos of 24-Hour Theatre Project 2012 by George Schiavone)